The meanings of artworks are never fixed: Time and placeĪrtworks exist as evidence of purposeful action by an artist within a particular time and place.Art does not only change the way we look at things, it can influence the way we recall the past and imagine the future. N ot only do our memories influence our experiences of an artwork, but an experience of an artwork can also influence our memory. However, what and how we experience is also subject to change. The same painting of a close family member takes on new meaning if that relationship changes history is rarely fixed - new discoveries and perspectives can radically alter what might have previously seemed secure memories can rarely be trusted, for example, if recalling a visit to a landscape, memories and emotions can become heightened, diminished, muddled, abstracted, and re-imagined. The subject matter of an artwork - what it is, what it is of, what it represents - is always open to our individual interpretation, shaped by our knowledge, experiences and prejudices. To state some obvious examples: a painting of an individual is likely to hold greater meaning to you if the subject is familiar, say, a close family member an awareness of 20th Century history might lead you to a greater appreciation of certain art movements (for example, Futurism or Dadaism) a photograph of a landscape is more likely to evoke memories and feelings if you have visited the same location. The meanings of artworks are never fixed: Subjects and subjectivity.Furthermore, our partiality towards certain art materials (and how they are used) is also subject to change, shaped by cultural trends, personal experiences and those in positions of influence such as gallery owners and curators. original work can be substituted with reproductions photographs of artworks inevitably compromise, shrink and abstract originals. In addition, art materials can be subject to change with time, through handling, wear-and-tear, fading, exposure to the elements etc. The intentions of an artist can be compromised or diverted by the resistance of the materials used - as a result, works of art (and hoped-for meanings) do not always evolve as intended, to good and bad affect. The meanings of artworks are never fixed: Material mattersĪn artist may set out to produce artwork that means something to themselves, to specific individuals, or perhaps to a broader audience.
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